Heat levels
Romance is far less explicit than its reputation, and far less chaste
Across 64,000 books the genre piles up in the middle of the heat scale. The extremes are real, but they belong to a handful of subgenres, and the distance between those subgenres is the part worth knowing.
SmittenSpines · 64,137 books classified · published 4 August 2026
Ask someone who doesn't read romance what's in a romance novel and you'll get one of two answers, both confident and both wrong. Either it's all smut, or it's all chaste longing and a kiss on the last page.
Actual romance readers know better. It's why heat level is the most requested filter in every romance community going, and why so many people end up keeping a private spreadsheet for it. But everyone knowing the middle is biggest isn't the same as anybody having counted.
Where the whole genre actually sits
So we sorted 64,137 books into four bands by what their descriptions say about the intimacy on the page: closed door, mild, moderate, explicit.
The whole shelf
Most romance novels are neither closed-door nor explicit
Share of books at each heat level. Bars are shown as spines on a shelf, which is roughly how this looks in a bookshop.
Show the numbers as a table
| Band | Books | Share |
|---|---|---|
| closed door | 3,164 | 4.9% |
| mild | 14,234 | 22.2% |
| moderate | 35,136 | 54.8% |
| explicit | 11,603 | 18.1% |
54.8% of the genre sits in the moderate band, which means intimacy does happen on the page, described without much explicitness. Add the mild band and roughly 77% of all romance lives in that comfortable middle.
Both ends are smaller than their reputations. Fully explicit books are 18.1% of the shelf. And the closed-door romance, the one the genre's critics picture as the default, is the rarest thing here at 4.9%, or about one book in twenty.
The average hides a 203-fold gap
That single distribution is also close to useless for picking a book, because subgenre swamps it completely. The number you actually want is in the next chart.
By subgenre
Pick a subgenre and you have picked a heat level
Each row is a subgenre, split into the four bands and ordered by explicit share, highest first. Numbers inside the bars are percentages. The figure on the right is how many books the row covers.
- Closed door
- Mild
- Moderate
- Explicit
Show the numbers as a table
| Subgenre | Books | closed door % | mild % | moderate % | explicit % |
|---|---|---|---|---|---|
| Erotica | 3,231 | 0.2 | 4.3 | 14.4 | 81.1 |
| Dark romance | 3,027 | 2.5 | 7.7 | 25.5 | 64.3 |
| Reverse harem | 2,070 | 1.2 | 10.7 | 41.2 | 46.9 |
| Mafia / crime | 2,355 | 2.4 | 10.0 | 41.7 | 45.9 |
| Motorcycle club | 720 | 1.0 | 10.3 | 56.5 | 32.2 |
| Billionaire / CEO | 1,695 | 2.0 | 11.1 | 56.6 | 30.4 |
| New adult / college | 5,906 | 1.8 | 14.3 | 58.0 | 25.9 |
| Sports | 1,193 | 2.8 | 19.6 | 56.0 | 21.6 |
| Romantic suspense | 13,271 | 3.3 | 17.9 | 57.4 | 21.5 |
| Contemporary | 26,211 | 2.8 | 16.9 | 59.7 | 20.6 |
| Science fiction | 837 | 2.2 | 13.3 | 64.9 | 19.7 |
| Paranormal | 10,189 | 2.6 | 16.6 | 62.2 | 18.6 |
| Queer romance | 2,515 | 3.8 | 21.8 | 57.1 | 17.3 |
| Military | 292 | 2.1 | 14.0 | 67.1 | 16.8 |
| Fantasy / romantasy | 8,508 | 3.3 | 18.9 | 62.5 | 15.3 |
| Holiday | 1,169 | 3.8 | 29.3 | 55.6 | 11.3 |
| Western / cowboy | 771 | 3.1 | 27.0 | 60.3 | 9.6 |
| Small town | 642 | 6.4 | 28.8 | 57.6 | 7.1 |
| Historical | 8,776 | 6.4 | 31.5 | 56.2 | 6.0 |
| Young adult | 4,606 | 4.8 | 39.3 | 52.7 | 3.3 |
| Inspirational | 740 | 5.7 | 71.2 | 22.7 | 0.4 |
Erotica is 81.1% explicit. Inspirational romance is 0.4% explicit. Those are labels on the same shelf in the same shop, with a factor of roughly 203 sitting between them. Any claim about “how steamy romance is” that doesn't name a subgenre is describing nothing at all.
Dark romance (64% explicit), mafia and reverse harem cluster up at the hot end, which will surprise nobody who reads them. Young adult sits at 3.3% explicit with 39% mild. Also unsurprising, and reassuring in the sense that the method is clearly measuring something real.
The one nobody expects
Historical romance is tamer than contemporary romance, and not by a little: 6.0% explicit against contemporary romance's 20.6%. Nearly a third of historicals (32%) sit in the mild band, which is the highest of any large subgenre outside inspirational and young adult.
The bodice-ripper is the image the whole genre gets tarred with, and it turns out to be one of the least explicit corners of the modern shelf. Some of that is the Regency boom, which runs sweet. Some of it is that historicals do their heat through restraint and longing and the sheer number of layers involved. Either way, if you avoid explicit content and you've been steering clear of historicals, you've been avoiding the wrong section.
The shelf has been warming up
Splitting the same books by when they were published shows a steady drift in one direction.
Over time
Explicit content has more than doubled its share since the early 1990s
The same four bands, by five-year publication window.
- Closed door
- Mild
- Moderate
- Explicit
Show the numbers as a table
| Published | Books | closed door % | mild % | moderate % | explicit % |
|---|---|---|---|---|---|
| 1990–94 | 382 | 8.4 | 28.0 | 56.0 | 7.5 |
| 1995–99 | 546 | 10.3 | 25.6 | 58.4 | 5.6 |
| 2000–04 | 814 | 8.7 | 30.8 | 52.0 | 8.5 |
| 2005–09 | 1,732 | 8.3 | 29.1 | 49.2 | 13.4 |
| 2010–14 | 6,039 | 4.9 | 22.8 | 55.7 | 16.6 |
| 2015–19 | 5,308 | 5.4 | 21.9 | 54.0 | 18.6 |
| 2020–24 | 47,727 | 4.2 | 21.0 | 55.7 | 19.2 |
Explicit share moves from 7.5% in the earliest window to 19.2% in the most recent, while closed-door roughly halves. The middle band barely moves at all. Romance didn't abandon the moderate register. The chaste end thinned out and the explicit end grew around it.
The caveat under that chart is doing a lot of work, though. Read it before you quote the number at anyone.
What a heat label can and cannot tell you
One honest limit first: these bands describe what a book's description says about its intimacy, and not a count of scenes. A book whose blurb and reviews dwell on emotional restraint gets read as restrained. That's usually right, and it's exactly the signal you're working from when you browse a shelf, but it is still a description of a description.
The other limit is that heat level is one number covering things readers care about separately. “Explicit” tells you nothing about whether the content is tender or violent, consensual or not, or whether the book contains the one specific thing you need it not to contain. The corpus keeps content warnings as their own field for exactly that reason. Collapsing all of it into a single pepper rating throws away the information that matters most.
Which is the argument for what we're building: heat as one filter you combine with everything else, rather than a number you hope means what you need it to mean.
Checking our work
Every figure here comes from one corpus with known limits. It is a snapshot, it leans heavily towards books published between 2020 and 2024, and it works from what gets said about books rather than from their full text. The methodology page sets out what that does and doesn't let us claim, including the measurement we ran to find out how often our own counting is wrong.
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